Már beadtam a propózalt pár hete, csak aztán jól elfelejtettem kirakni ide. Nem valami iszonyat egetrengető, de szerintem jópofa lesz.
Contemporary British-American writer Neil Gaiman is well known for his mastery of literary allusions, borrowing from, and building upon, both literary classics and contemporary pulpish fiction, in a similar vein as, for example, William Shakespeare before him. Shakespeare himself, as a cultural touchstone of today’s world, is often the source of his materials, probably most importantly in his long-running comic book series, The Sandman. While comic books cannot be said to be a mainstream area of literary research, I argue that they are more than simple artefacts of popular culture and have inherent literary value. This can be easily recognised in The Sandman series, which has been the subject of many scholarly works.
In the 75 issues of The Sandman, the character of Shakespeare himself and two of his works, A Midsummer Night’s Dream and The Tempest are the topic of three issues, with the two plays of Shakespeare playing a crucial role in the overall arc of Neil Gaiman’s enterprise. Meanwhile, placed in this new context, both the life and the works of the playwright are shown in a completely new light. In my thesis I will explore the significance of the character of Shakespeare in The Sandman series, as well as how Gaiman uses these particular plays for the purposes of his own, and how this recontextualises and reinterprets the Shakespearean heritage.



